I have worked as an animation assistant, animation assistant supervisor and animation supervisor.  I have trained others, including a large group of junior animation assistants on Ethel and Ernest, and have worked on paper, Animate, Toonboom and TVPaint.
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Between 2006 and 2009 I worked on The Illusionist, first as a layout artist, and then as animation assistant.  We worked on paper and dodgy old line-testers!
Everything I Can See from Here by The Line was the first film I worked on that was in vertical format.  This was my only shot in the film, but a good one!
Mirror Mirror was one of the most fun and tricky Simon's Cat projects to clean up!
I was very grateful to work on the early test scenes, on paper, for Red Turtle in Prima Linea's Paris studio alongside MIchael Dudok De Wit
This one was a challenge!!  Clean up of a truck for the beautiful The Mighty Grand Piton by Wesley Louis and the Line.  The rough is shown here too, animated by Maxime Jouniot
In 2012 I worked on the pilot for Longway North (Tout en Haut du Monde). Here are a couple of the shots I cleaned up and coloured
On Zarafa, I was working mainly on keys, and we sent the rest to Seven Animation in the Philippines.  I was lucky enough to go over there and supervise the assist team for two months